you: The dimple
diminutives, so diminutive forms are always to be treated with caution. They often arise
a word whose original meaning is rather negative way. Otherwise it would have needed not only a diminutive.
tale, wheels, rolls, rabbit ...
a myth was a most tragic story of the Middle Ages, the wheel was a popular method of death, torture, bread is fattening and rabbits - well, the rabbit must be giving us terrible creatures that no one dares to talk about it.
And pits were never a place of positive events. In mines was it sunk, buried, unemployed, or had to hide in Kinderspielchen as bunnies in it.
Nevertheless liable to the pits, that strange word creation, but positive. Dimples are the Körperpendant to parfait: Everyone likes her. Some pits are legendary, such as Roy Black's chin splitter.
Gesichtsgrübchen, which probably give the most striking representative of the species, every smile, the cream topping. If there were competitions for the most beautiful smile, the winner would always shine between two pits.
Lendengrübchen And, those classic and timeless symbols of female Sensuality that has inspired more artists than any flower meadows in the world - the sight alone is inspiring and uplifting than any aphrodisiac.
But what word is it? "Dimples"?
How small a hole must be that "dimple" is justified? And pits are pits at all? Draw pits is not more by the depth of? By sharp sinking walls? Dimples are not more tiny pits? Small indents?
But how rudely sounded "Kühlchen" or "Muldchen. Much too close they are subject to "Kühchen," "Kitchen", to "Muttchen" or "pigs".
throaty and from the posterior pharynx tröffe out the Kuhlchen, harsh, unromantic, rather reminiscent of Würgelaute and gargling. And how sharp and pointed pushed the "Muldchen" out with his pointed 'D' and 'Ch', which here would be nearly sharp for 'bulk'.
Kuhlchen Muldchen and would rather name for the evil dwarfs in the fairy tale, the thieves in the Astrid Lindgren novel or magical weapons of a knight story.
But dimples stands alone. No unwanted association disturbing the image. His pure tone, the gentle, breathy 'G' on the rolling 'R', the soft 'B' and in a gentle arc, the 'chen' down sinking it leads us into a world of beauty, softness, kindness and sensuality.
The dimple is gentle and docile in the forest of the language, it can be an umlaut glittering and sparkling shine in every text, makes his melodious sound of us fall and rise of pictures of beautiful smiling people and female Aktportrait.
it has nothing more from the sharp sound and bleak picture of the mine, which it arises.
The dimple celebrates his triumph in the diminutive. By giving the ugly word of mine grace, style and charm, her ugly and sullen, outflanked and unique, is independent. A strange, beautiful word is the pits, the origin is behind him even hidden, and hidden.
people would be less beautiful without Dimples, and the language less pure, less gracefully without this strange word that evokes so many images in us, and yet does not seem to match the rest of the language because its roots, with it open in himself, invisible to us now in the course of time.
Side note:
course, there is no rabbit. But rabbit, which in itself is not a real diminutive, is derived from the Latin word for cave or passage. And this is just as dark?
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